sketchbook: May 2008 Archives

At one point I thought I had a notebook illness, but instead I have come to realize that these many  books are my assets--the varieties of shape, size, and function push new problems and suggest new solutions.Yesterday I posted circular plate images drawn from rectangular books. Today's square plate paintings are pulled from my 8-inch square notebooks.

My sketchbooks serve as both a private place to experiment and a portable stage to carry and to show-and-tell what I have been fooling around with. The books hold ideas in more or less chronological order. I do get ahead of myself laying in color, but then I go back and add more layers. The books become a collection spot for bits of sketches, idea scraps, color, a stray word or two, and an occasional quote.

Working on a small mailing I decided to use handmade envelopes. These are made from experimental paintings for plate ideas.  Sometimes they are scrap paper that I insert behind the page I'm working on so that I don't get the whole sketchbook gummed up with sloppy paint. These "outside the margin" pages can get really beautiful when my focus is elsewhere.
When the pages get cut up using a template for the envelope shape,  I pay some attention to placement but as the image is folded and glued into a container it crops and combines the image in unforseen ways. As stamps were adhered, Warren and one of Zoe's friends asked, "Did you photograph these? They are really beautiful." So I did that before mailing these paintings out as messengers sneaking handmade art into daily life.

In Mr. LaHotan's second-grade art class I was excited when we were going to make things out of clay. But before we could move from painting to pottery, we had to tell him the difference. Since it seemed so obvious to me that clay was 3-dimensional, I stayed quiet. He stressed that when we worked in clay we had to observe our progress from every direction.

Surprisingly, I still see it differently. Trying to combine what I love about working on paper and what I love about 3-dimensional clay I am mixing my paint so it is like slip and mixing my slip so it is like paint. I write in my fast, illegible script and paint in my notebook. Then, transitioning to slip and clay, I search for the same feeling. When the claywork drawing seems more exciting, I alter my sketching materials yet again. The cups above are the result of printed handwriting; the page below shows template-shaped ideas for the cups.