When I make my poem plates I root through the boxes of my mother's archives. She had a poetry group that met periodically and I find xeroxed versions of poems paper-clipped together. There are also hand scribbled versions and revisions. I transcribe her words through sifted ash or clay and print them so they end up reversed in the clay. I take the insubstantial words that came from my mother's mind and press them into the shape of a plate. Her life feeds mine. Her words create shadows of lines, direction, and song in clay.
A writer's work
is with the insubstantial word,
the image that can only find
its being in another's mind.
We work with water, with the wind,
we make and hold no thing at all.
All we can ever shape or sing
the tremor of an untouched string,
a shift of shadows on the wall.
-- Ursula K. Le Guin, from "Writers," Finding My Elegy: New and Selected Poems (Houghton Mifflin Harcourt, 20012)
A writer's work
is with the insubstantial word,
the image that can only find
its being in another's mind.
We work with water, with the wind,
we make and hold no thing at all.
All we can ever shape or sing
the tremor of an untouched string,
a shift of shadows on the wall.
-- Ursula K. Le Guin, from "Writers," Finding My Elegy: New and Selected Poems (Houghton Mifflin Harcourt, 20012)
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