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Can or can't you feel
a dominant handedness
behind the randomness
of loss? Does a skew
insinuate into the
visual plane; do
the avenues begin to
strain for the diagonal?
Maybe there is always
this lean, this slight
slant. Maybe always
a little pressure
on the same rein,
a bias cut to everything.
a certain cant
it's better not to name.
By Kay Ryan (The Best of It)
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