"I asked my ten-year-old son, Emmett, what he thought art was for and he said, "Nothing." He said, "It isn't good for anything." And as he saw my eyes roll back in my head, thinking, this is what you get from a kid whose parents are both artists, he quickly added: "Art just is." He said "Art just is" with an assumption that, like breakfast on the table, it will always be there -- a given of a culture. In my head, I could hear a voice saying in response to his confidence: "Yes, but..." Can I really believe ... that all the collective acts of making carry a weight that can counter the acts of unmaking that accrue daily? For acts of making to be acts of resistance and tools of remembering, this given-ness has to be made and maintained, and to have room made for it."